Intervals De-Mystified PART TWO

Now that you have an understanding of GENERIC INTERVALS (if you're not clear on this, go back to PART ONE ), we'll discuss SPECIFIC INTERVALS.

PART TWO

Any interval the would fit naturally in a Major scale built from the root on the note with the same name as the lower of the two tones in the interval will either be a Major interval or a Perfect interval. 2nds (and 7ths), or 3rds (and 6ths) that fit into the scale will be called Major intervals. 4ths (and 5ths) that fit into the Major scale will be called Perfect intervals.

For example, we already know that C up to E is a GENERIC 3rd. C and E would both fit in the C Major scale, so the distance from C up to E is SPECIFICALLY a Major 3rd.

Another example; we already know that F up to G is a GENERIC 2nd. F and G would both fit in the F Major scale, so the distance from F up to G is SPECIFICALLY a Major 2nd.

How would we determine the interval from C up to Eb? It won't fit into a C Major scale, but we know it's a 3rd; what kind of 3rd is it?

Take a look a this:

Notice the thick-lined ovals represent tones that would fit into a Major scale (Major or Perfect). The other ovals represent tones that won't fit into the Major scale (Augmented, Minor, and Diminished). The tones that would fit into a Major scale are called Diatonic; all other intervals are Chromatic. The arrows represent halfstep increases or decreases of Major or Perfect intervals.

If any Major or Perfect interval is increased by a halfstep, it will be named as an Augmented interval.

For example, we now know that F up to G is a Major 2nd. If the interval is increased by a halfstep (F up to G# OR Fb up to G), it will now be named as an Augmented 2nd.

Another example: we now know that B up to E is a Perfect 4th. If the interval is increased by a halfstep (B up to E# OR Bb up to E), it will now be named as an Augmented 4th. Notice, that if I said B up to an F, it would be some kind of GENERIC 5th (not a 4th; check back with the example in PART ONE showing the sequence of 4ths and see the segment that depicts F to Bb. If that's a PERFECT 4th then Bb up to F must be a PERFECT 5th; if so, then B up to F# is a PERFECT 5th; therefore B up to F would be a DIMINISHED 5th. This brings us to the next step...

If any PERFECT interval is decreased by a halfstep, it will be named as a DIMINISHED interval. Also notice that it would take a DECREASE OF 2 HALFSTEPS FROM A MAJOR INTERVAL to become a Diminished interval. Look at the preceeding diagram again if you're not sure of what we're talking about here.

If any Major interval is decreased by a halfstep, it becomes a Minor interval; so the answer to the question, what is the distance from C up to Eb?, is: it is a Minor 3rd.

The last point I want to make is that when INVERTING intervals, Major intervals become Minor; Minor intervals become Major; Diminished intervals become Augmented; Augmented intervals become Diminished; and Perfect intervals stay Perfect.

Let's look at some more examples and the thinking processes behind them:

What is the distance from E up to C? Answer: E up to C is larger than a 4th, so I prefer to find the distance from C up to E, then invert it. C up to E is a Major 3rd, so E up to C is a Minor 6th.

What is the distance from E up to Db? Answer: Again, I'd prefer to find the distance from Db up to E, then invert it. Db to E fits into the GENERIC sequence of 2nds (D E). We know that D up to E is a Major 2nd, so Db up to E must be an Augmented 2nd; therefore E up to Db is a Diminshed 7th. Notice that even though Db to E is 3 halfsteps, it will not be considered a Minor 3rd unless it is spelled C# up to E; if it's spelled Db up to E, it must be some kind of 2nd, not some kind of 3rd.

CONCLUSION

Memorize: The sequences from PART ONE, The inversion rules (the numbers must add up to 9; Majors become Minors and vice-versa, Diminisheds become Augmenteds and vice-versa, and Perfects stay Perfect), and the visual diagram above --That's It!

These perspectives may seem complicated at first, but if you take the time to absorb them properly and completely, interval problems will be a thing of the past for you!

Back To PART ONE


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